Sungyeon Kim explores the "boundary of body " and resets the relationship between herself, society, starting with questions about the organization. 

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For Sungyeon Kim, "body" is sometimes treated as a physical substance, or as an extremely personal psychological phenomenon or social being.

In the work, miseens and objets play a role in connecting them, sometimes even expanding the segment of the body that is being divided. The question of existence and the question of aliveness leads to the question of others rather than being isolated by the question of one individual.

As a result, Sungyeon talks about the relationship with others that makes me realize that I exist and the relationship with the majority (community). The narrative of the "body" in the work goes through the process of establishing the body's own ontology in order to eliminate the possibility of myself being perceived as a divided being in this context. In this process, the body that is dealt with exists as a social product and in order to exist on its own, it looks at and recognizes the existence of others.

Objects that appear as a way of perceiving others capture the atmosphere (visible/non-visible) that occurs when my "body" and others' "body" encounter, and reveal or visualize forms that are extremely deep.  

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As a medium of work, I conducting experiments on the way the work is delivered and the atmosphere and interaction between the audience by using performances, videos, installations, photographs, etc. that directly reveal it, choosing various media and breaking boundaries.